Showing posts with label Talib Kweli. Show all posts
Showing posts with label Talib Kweli. Show all posts

Friday, August 03, 2007

Rocking Bells

Since Druglas got his shit together and posted his two cents on Rock the Bells, I figured I should do the same. First off, I have to ask, what is wrong with white people? I like to get into a performance, and maybe I don't get as physically into rock and roll as I used to, but in my mind it just seems unnecessary to mosh your face off to Cypress Hill. If it's during "Rock Superstar" that's one thing, but during "I wanna get high"? Could you pick a mellower song to start the moshing during? Never mind that the mooks behind me decided to start moshing after they ingested a fist sized bag of coke. Cuz that's not a recipe for disaster. Anyway, other than some inappropriate moshing, way too much rain, and the perils of mass transit, it was a good day. I got there a while before Druglas, so the Breetard and I were able to catch the Grouch and Eligh's set.



I had dismissed them in the past after a few listens, but they rocked the shit out of their set on Sunday. Eligh is definitely the shining star of the duo, but that's not to say the Grouch wasn't holding his own. Since the theme of the day seemed to be everyone getting backed out of their skulls, it was appropriate that "No More Greener Grass" was the highlight of their set. After that, MURS came out to rally the crowd for Mr. Lif, who was joined by Akrobatik for most of his set. I enjoyed their performance, but I was more excited to skeedaddle to the main stage and catch Blackstar.



Talib went through his solo material first and ripped it. I've missed out on seeing him live so many times that it was really great just to be finally seeing him and it helped that he fucking killed it. Mos Def's solo set was a little bit more lackluster, with too much meandering singing. It was really cool, however, when his DJ spun Aretha Franklin's "One Step Ahead" before dropping the beat for "Ms. Fat Booty", the crowd went ape, and rightly so. That moment aside, the high point in Mos's performance was when he went into "Definition" and was joined onstage by Talib. Then Rakim was up.



To me, it felt like he was standing in front of a largely unappreciative crowd. His set was fantastic, however, despite the tepid crowd response.



Cypress Hill was kind of ruined for me by the jackoffs sniffing blow and punching people right behind me. Before those guys really got into it though, the set was really enjoyable. Especially the gigantic inflatable Buddha onstage. Public Enemy was really good too, but I didn't stick around for a complete rocking, instead making my way over to catch Doom.



As Drug already informed you, Doom was sick, even if it was a much shorter set than it should've been. It was pretty cool that once most of the crowd ran away to catch the Wu, Talib came out to rock "Old School".



Maybe I'm a little spoiled when it comes to the Wu Tang. Around this time last year when I saw them, I met Ghostface, and I spent the show within arms reach of the stage. Needless to say, it was a little different watching them perform from about a football field's length away. I was a little disappointed with the absence of Ghostface, and the apparent substitution of a portly Ghost look a like. Either way though, it's the Wu Tang, and my ever-present hip hop chubb for them was in full effect.



Seeing Rage was like a flashback to '99, the last time I saw them. I was kind of surprised at de la Rocha's relative silence in between songs, until I heard there was some backlash over things he'd said the night before about assassinating George W. I kinda thought that things of that nature were standard fare for Rage - last time I saw them, they burned an American flag - but I guess he was asked to tone it down. To be honest, it was a little disappointing to see that he acquiesced and just did the show without the political ranting.

Sunday, February 11, 2007

Hallelujah Holla Back

I really wish I didn't like the white rapper show so much. Serch is a jackass.








There's been a lot of folks writing about Dilla lately, with it being a year since his death and all. Of all the stuff I've read, the one that stands out the most was posted by Talib Kweli almost a year ago (stumbled on by way of ninoy brown). Check it out here, it's definitely worth a read.








Spine Magazine had a video up the other day with a young lookin Nas on stage with Biggie, as introduced by Movin' on Yo Left, Mr. Mef. That video was cool and all, but it's still not my favorite Biggie Internet moment. That would be this one. It's crazy how he sounds exactly the same, but looks like such a kid.







And while we're talking about sidewalk freestyles,






et en français




Wednesday, January 03, 2007

NYC TV

Although I can't get it at home, I enjoy watching NYC TV when I'm at work. Some of the programming is cool and they always show fun music videos. Tonight I caught TV on the Radio's "Wolf Like Me" and a Making the Video type joint for Beirut's "Scenic World". I'd never seen either video before and the TVOTR one is awesome. The Beirut video, eh. It's an enjoyable video, but if I was gonna rank these two, it'd catch the number 2 spot.



"Wolf Like Me" by TV on the Radio

It's almost as fun as watching Jump Tomorrow.







"Scenic World" by Beirut



Also,

If you haven't already, head here to download the new Talib/Madlib album. It's awesome, I implore you to listen to it.

Wednesday, October 04, 2006

Tekzilla



Today, Ed Lover put me in a very uncomfortable place. No, I'm not talking about the back of a Volkswagen Rabbit, I'm talking about him spinning "Sexy Back" during a break from talking to DJ Hi-Tek. I really didn't want to miss a second of Hi-Tek on the airwaves, and I get easily distracted once I start flipping stations, so I felt compelled to stay on power105, but Godammit, I hate that fucking song. I didn't even know it was Justin Timberlake until a couple weeks after it started popping up on the radio, with all the stupid fucking vocal effects. Anyway... I ended up getting home before Hi-Tek was back on the air, so me listening to "sexy back" was all in vain.

Anyway, Hi-Tek told Ed Lover that him and Kweli were gonna be heading back into the studio for another album together. YES. Should be good, seeing as the first Reflection Eternal joint is one of my favorite albums that I've ever bought.


"Soul Rebels" feat. De La Soul by Reflection Eternal

Also, check out Spine Magazine for a chance to win the album.


Saturday, September 23, 2006

I can't believe I'm starting to like Papoose


So the recently released DJ Hi-Tek track "New York" is nice. The forthcoming album definitely makes October 17th something to look forward to.


What is not nice, is the cutting of Raekwon from the music video. Now I don't know if this is the way the video is going to be released or if this was just the folks at sohh.com cutting it down, or if there was a legal issue or what. Either way, it's lame. Sure the overexposure that he and his Wu brothers get here might make up for it, but it's still an injustice.

Saturday, June 17, 2006

I'm on my New York Shit


So it seems that that Busta Rhymes' "New York Shit" has got New York Rappers clamoring to rep their city, lest they be accused of just not keeping it real. One of the results of the trend is the DJ Green Lantern and DJ Kay Slay collabo mixtape, On My New York Shit. There's a huge roster of talent here, with the movement headed by Busta Rhymes, with back up firepower coming from Papoose, Nas, Hi-Tek, Jim Jones, Remy Ma, Lloyd Banks, Timbaland, Styles P., Fat Joe, Wyclef Jean, Snyplife, Swizz Beats, Tru Life, Akon, Prinz and Grafh of Blackhand Ent., Red Café, J.R. Writer, Jae Millz, Cory Gunz, Hell Rell, Uncle Murda, Stack Bundles, Maino, Mike Beck, Tony Sunshine, Scram Jones, Joell Ortiz, Flawless, plus elder statesmen Ghostface, Raekwon, Kool G. Rap, Big Daddy Kane, and Lord Tariq. So first of all, there's a lot of NY talent that's noticeably absent. But you can't get everybody on one tape and there is a lot represented here. I was especially pysched to see that Dj Hi-Tek produced a track for Busta and Nas, and it turned out to be one of my favorites, along with Uncle Murda's "Murdera!" which has a ridiculous reggae beat and a great chorus. "Uptown" from Jae Millz, and Five Deadly Venoms from the old guard of Starks, Rae, and company also turned out to be solid tracks. It's a fun tape to listen to and it's nice to see such fervent New York pride, genuine as it may or may not be, but I do have some mixed feelings about certain parts. Two songs jack beats from the "Liquid Swords" album and on one hand you could look at that like, "Oh hey they're using beats from New York Classics, just like they opened the tape with the New York State of Mind beat." Jim Jones freestyles over Liquid Swords though and even though I do kind of enjoy it, is Jim Jones really cool enough to be spitting over that beat? I'm pretty sure the answers no. Either way, check it out. There's some cool sound effects, some enjoyable Frank Sinatra, and Busta's speeches are awesome.

You can
see the tracklisting here,

and you can stream
the whole mixtape at hiphopdx.com

In Related News, I heard Joe Budden's answer to the whole New York Shit craze yesterday.

Joe Budden - On My New Jerz Shit.

and, a little something from the man who would be King of New York if it weren't for a lot of ignorance in the world:

Talib Kweli and Jean Grae - New York Shit Freestyle