Showing posts with label gza. Show all posts
Showing posts with label gza. Show all posts

Thursday, November 22, 2007

Tang-sgiving

I was going to post a happy thanksgiving post, but how can I be happy when there's sadness in Shaolin? I'm pretty out of touch with the blog world lately, so I'm a little late on this, but I came across Miss Info's interview with Raekwon today.



Dude's pretty anti-guitar and anti-Rza. Plus, stay tuned for a wu-tang album WITHOUT THE RZA. Why would they think that's a good idea? I know Ghostface has been vocal about his displeasure, and Method Man has voiced his concerns in the past, but I'm curious to hear where the others stand on this. I'm guessing U-God will go with whomever wants to put him on. I can't imagine a split between the Rza and the Gza, but even if these guys are angry at the Rza, how could they leave the Gza? He's the genius. This just doesn't sit well with me.


Wednesday, December 06, 2006

yo Rza pump the track



So I came across this Mos Def track on fluxblog where he rocks over the Liquid Swords beat. His verses are pretty solid, but I don't know if I'm sold on this song as a whole. The mushmouthed intro is annoying, since when is Mos getting stained? His choruses are just mumbled/sung reworkings of the Liquid Swords chorus, although I do really like when he starts whistling over the beat at the end. I feel like a schmuck trashing Mos' reworking of the song when I basically praised Jim Jones' freestyle over it, but come on Mos, I hold you up to a higher standard than the Capo.

Friday, October 27, 2006

he doesn't want us back

With me taking so long between posts, my life is completely different with every post. Recently, I got evicted by my landlord whose name is Michael Jackson. His name is really Michael Jackson, and he basically said the opposite of this song:

I Want You Back - Jackson 5

But I don't even care. This house is cold, and I live in a basement with no doors and no windows. So maybe it's time to leave.

Top Songs to listen to when being evicted:

1.Everything's Just Wonderful - Lily Allen
2.Nobody Don't Dance No More - Kano
3.Burning Down the House - Talking Heads
4.Going to Georgia - Mountain Goats
5.Cold World - GZA

A few days ago I saw the Count Basie Orchestra live here at Seton Hall. Fantastic show, and the drummer, Butch Miles, is absolutely amazing.

So what else is new in my musical world? New Jay-Z song is trash. New Decemberists is great. Camera Obscura slowing taking over my world. In fact, let's put some songs up.

Lloyd, I'm Ready to be Heartbroken - Camera Obscura
Razzle Dazzle Rose - Camera Obscura

And while I'm posting songs, this is for all of the haters I live with who can't appreciate good stuff:

(Today I Met) The Boy I'm Gonna Marry - Darlene Love

Oh, and I am pretty broke. These days money is for cigerettes, intoxicating substances, and maybe food. Luxury items are just no on the bill these days. So I am starting the Fund To Get MC Abstract Douchipster Enough Money to Buy This:




He even has the wallabies on!

Also, I have been told that he is a jerk, but I really want this to happen to me.

Wednesday, August 23, 2006

J Dilla Jay Dee


Everyone out there should go and buy "The Shining", J Dilla's latest posthumous release. The more people that buy it, the more it makes up for me pirating it online. I gave my donation to the dilla fund via T Shirt purchase though, so I'm set. Anyways, this album has guest rhymes from Pharoahe Monch, Busta, Black Thought, Common, and some others, and all the beats are Dilla beats so you really aren't gonna go wrong.

"Baby" feat. Madlib and Guilty Simpson by J Dilla Jay Dee

It's also the Gza's 40th birthday today and the man is still swinging lyrical swords.



Good for him.


"Pool of Blood" feat. Jus Allah by the Gza


Friday, August 18, 2006

fishscale friday

It’s Fishscale Friday here at Cigarbox. Green Hornet and me are legitimate fan boys, and I am immensely jealous that he met him last night. But anyways, I’m going to go through some of the highlight albums of Ghost’s career. I will include most of his solo albums and some other great ones here. I’m holding myself to posting just one song from each album. Here we go:



Album: Liquid Swords (GZA album)
Favorite Song (with Ghost): 4th Chamber

“4th Chamber” is one of the RZA’s best beats. The beat is like a black hole, it’s so dense. It sucks you in, instantly forces you to listen. The first guy out of the gate on this track is our subject, Ghostface. His verse here is ferocious, yet understated. His voice perfectly fits the mood of the album, and it mirrors the GZA’s. Him, along with the other guest stars on this album know who is the star of this album, and they let him have his stage. He lets you wait until the 4th verse (after a very decent Killah Priest verse, and a great verse from the RZA before he got older and started sounding like a retarded robot) for the GZA to tear shit up. But Ghost sets the stage. He makes the song what it is, and does exactly what a guest rapper is supposed to do: set up the main guy. He would have his time.



Album: Only Built 4 Cuban Linx (Raekwon album)
Favorite Song (with Ghost): Criminology

On an album that could be the score to a mob movie, this is one of the most cinematic songs. The album is just as much Ghost’s as it is Raekwon’s. Unlike on Enter the 36 Chambers where Ghostface functioned almost like a hypeman (albeit a fantastic hypeman), here Ghost is every bit as important as Raekwon in forwarding the intricate story of the album. On the song “Criminology”, Ghostface shows he has a distinct voice in rap.



Album: Ironman
Favorite Song: (tie) Wildflower, All That I Got Is You

Underrated in the overall annals of Wu solo albums, the only thing Ironman lacks is a bad song. With a little more cohesion to the overall album aesthetic, this could have been a classic up there with Cuban Linx. Picking a favorite song was such a difficult process because of the amount of great songs. I chose “Wildflower” first for it’s relation to a recent Ghostface hit song “Back Like That”. Wildflower has Ghostface throwing harsh words towards a woman who did him wrong while he was on tour. While on “Back Like That” where he at least acknowledges that he was partially to blame, here it is all blame towards the girl.

“Remember when I long-dicked you and broke your ovary?
You crab bitch, chickenhead hoe, eatin' heros”

Nuff said

“All That I Got Is You” is truly a hip hop to tug at your heartstrings. Mary J. Blige gives us a soul wrenching chorus while Ghost gives us a depressingly realistic look at his childhood and his love for his mother. Mike Skinner’s sappier songs might have been born right here.



Album: Supreme Clientele
Favorite Song: Apollo Kids

On this album, Ghost is still rapping about selling drugs, but now he rapping about a lot of other things too. These songs are abstract often, as Ghost seems to care more on this album about how his words sound than about how the words are. But on this song “Apollo Kids” him and Raekwon are rapping about dealing, but the narrative is fractured, as it is on most of the album.The words come out in a stream-of-consciousness blur. It’s like James Joyce with a beat.

At this point, Ghost has truly come into his own. He grew up for this album. Gone is the raw, Wu hypeman of albums past. Here is the veteran of rap, and the first of the Wu solos to be able to remain artistically viable without the RZA (although he did produce 3 of the songs on this album).



Album: Pretty Toney
Favorite Song: Be This Way

This album is just as much a soul album as a hip hop album. Ghostface doesn’t just have choruses with soul samples, he has truly incorporated the genre into every facet of most of these songs. What could have become an indulgent genre exercise turns out to be a fantastic album with enough bangers to be played at any party. The song “Be This Way” is a good example of the vibe of this album and is the best example of how the soul and hip hop were mixed to well on this album.



Album: Fishscale
Favorite Song: (tie) R.A.G.U., Underwater

So we are finally here to this day at Cigarbox’s namesake. To me, it’s just as good, if not better than all the rest of the albums named here. Some of the best producers (Just Blaze, MF Doom, J Dilla, and Pete Rock to name a few) , some of Ghost’s best verses, and some great guest spots make this album fantastic start to finish. Here Ghost’s topic is, what else: drug dealing. But after making albums that were a little left of center as far as mainstream rap is concerned, here Ghost shows that he can keep his roots of abstract artistic rap, and still make songs that would be great on the radio.

As different as his past albums were, here you can see Ghost jumping from style to style, as if he has perfected what he did in the past and here is the showcase. R.A.G.U. would easily go onto Cuban Linx as its beat sounds like that album, and it features Raekwon in top form. Underwater is a surrealist approach to hip hop. In the song Ghost describes a trip underwater led by mermaids. The song is so vivid as to make you think he actually lived it.